Carlos Marcial

Puerto Rican

Born 1984

Carlos Marcial is a crypto artist and multidisciplinary new media creator who has been a key figure in the crypto art space since 2019. Born in Mexico but raised in Puerto Rico, he brings a Latin American and Caribbean perspective to his work, exploring the intersection of technology, crypto, and art history. A Bitcoin advocate since 2012, Marcial transitioned into NFTs and became one of the first digital artists to pursue crypto art full-time in early 2020.

Carlos Marcial

Puerto Rican

Born 1984

Carlos Marcial is a crypto artist and multidisciplinary new media creator who has been a key figure in the crypto art space since 2019. Born in Mexico but raised in Puerto Rico, he brings a Latin American and Caribbean perspective to his work, exploring the intersection of technology, crypto, and art history. A Bitcoin advocate since 2012, Marcial transitioned into NFTs and became one of the first digital artists to pursue crypto art full-time in early 2020.

Infinity Rooms V2

The Work of Art as an Algorithmic Aesthetic System aims to discuss and expand on the potential of coding as the basis for creating algorithmic systems for artmaking. Instead of putting out there this algorithmic artwork as a series of generative editions, Marcial decided to maintain the unity of the algorithm and showcase how a 1/1 piece can hold all these almost infinite artistic variations.

The Work of Art as an Algorithmic Aesthetic System

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The Work of Art as an Algorithmic Aesthetic System

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The Work of Art as an Algorithmic Aesthetic System

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© 2025 Kanbas. Any images or other visual representations of artworks are © their respective Artist or Estate, unless otherwise noted. All rights reserved.

© 2025 Kanbas. Any images or other visual representations of artworks are © their respective Artist or Estate, unless otherwise noted. All rights reserved.

© 2025 Kanbas. Any images or other visual representations of artworks are © their respective Artist or Estate, unless otherwise noted. All rights reserved.