Eduardo Kac

Brazilian

Born 1962

Lives and works in Chicago, IL

Eduardo Kac emerged in the early ’90s with his radical works combining telerobotics and living organisms. As a pioneer of telecommunications art, his visionary integration of robotics, biology and networking explores the fluidity of subject positions in the post-digital world. Kac began his artistic career in 1980s Brazil, staging performances, but became interested in poetry as an art form, pushing the written word into three dimensions with his “holopoetry.” In 1997, Kac coined the term “Bio Art” to describe his use of biotechnology to create organisms with new genetic attributes such as Genesis, which included an “artist’s gene” he invented, and GFP Bunny, his fluorescent rabbit called Alba. In 2017, Kac created Inner Telescope, a work conceived for and realized aboard the International Space Station with French astronaut Thomas Pesquet. In 2024, Kac’s holopoem Ágora (originally created in 1985) flew to deep space aboard the Centaur rocket and is now in a perpetual heliocentric orbit; his work Adsum is scheduled to fly to the Moon in 2025.

Eduardo Kac

Brazilian

Born 1962

Lives and works in Chicago, IL

Eduardo Kac emerged in the early ’90s with his radical works combining telerobotics and living organisms. As a pioneer of telecommunications art, his visionary integration of robotics, biology and networking explores the fluidity of subject positions in the post-digital world. Kac began his artistic career in 1980s Brazil, staging performances, but became interested in poetry as an art form, pushing the written word into three dimensions with his “holopoetry.” In 1997, Kac coined the term “Bio Art” to describe his use of biotechnology to create organisms with new genetic attributes such as Genesis, which included an “artist’s gene” he invented, and GFP Bunny, his fluorescent rabbit called Alba. In 2017, Kac created Inner Telescope, a work conceived for and realized aboard the International Space Station with French astronaut Thomas Pesquet. In 2024, Kac’s holopoem Ágora (originally created in 1985) flew to deep space aboard the Centaur rocket and is now in a perpetual heliocentric orbit; his work Adsum is scheduled to fly to the Moon in 2025.

Eduardo Kac’s Letter is a navigational poem that presents the viewer with the image of a three-dimensional spiral jetting off the center of a two-dimensional spiral. Both spirals are made exclusively of text. Thus, reading becomes a process of probing the virtual object from all possible angles. The reader is also able to fly through and around the object, thus expanding reading possibilities. In Letter a spiraling cone made of words can be interpreted as both converging to or diverging from the flat one. Together they may evoke the creation or destruction of a star. All texts are created as if they were fragments of letters written to the same person. However, in order to convey a particular emotional sphere, the author conflated the subject positions of grandmother, mother, and daughter into one addressee. It is not possible to distinguish to whom each fragment is addressed. The poem makes reference to moments of death and birth in the artist’s family. Originally created as a VRML file on a Macintosh Centris 650, Letter was later converted to mp4.

Letter

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Letter

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Letter

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Insect.Desperto

The digital poem Insect.Desperto is a runtime animation in which the visual and sound tracks function independently and complementarily in two languages (English and Portuguese), one not being the translation of the other. Desperto means “awaken” in Portuguese. Insect.Desperto was first published online in 1994 through ftp (file transfer protocol).

Insect.Desperto

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Insect.Desperto

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Insect.Desperto

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Cyborg (1985) is Eduardo Kac’s first digital artwork in color, made by the artist on a France Telecom Minitel editing console. In the image we see an anthropomorphic creature, half-human, half-robot, arms bent with clenched fists, shouting the neologism that expresses its uniqueness. The symbolism of clenched fists is well established as a form of civil rights activism; here, a hybrid lifeform proudly affirms its right to exist. The portmanteau “cyborg” appears in a comic book balloon, a nod to the artist’s passion for the medium. In a world where identity was traditionally imposed along predetermined lines, the self-affirming act featured in this image stood as a beacon of freedom.

Cyborg

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Cyborg

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Cyborg

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© 2025 Kanbas. Any images or other visual representations of artworks are © their respective Artist or Estate, unless otherwise noted. All rights reserved.

© 2025 Kanbas. Any images or other visual representations of artworks are © their respective Artist or Estate, unless otherwise noted. All rights reserved.

© 2025 Kanbas. Any images or other visual representations of artworks are © their respective Artist or Estate, unless otherwise noted. All rights reserved.