At the core of Han’s work is an exploration of abstract questions surrounding the seen and unseen, with more concrete experiments focused on the concept of a “program” — one that can exist beyond time, space, and ownership. Engaging with the histories of contemporary art, Han proposes the possibility of a “post-internet” world through a minimalist visual language. His body of work addresses both the challenges and possibilities that omnipresent computing has imposed on humanity, touching on the nature of reality and autonomy. Much as celestial bodies exist in space, Ha’s sculptures — crafted entirely from code — exist in a dimension parallel to our world, taking the form of interactive, multidimensional sculptures and self-sustaining programs.