Joaquín Torres-García

Uruguayan-Spanish

(1874–1949)

Joaquín Torres-García was a Uruguayan artist, theorist, and teacher, widely regarded as the father of modern art in South America. Known for his concept of Constructive Universalism, Torres-García combined geometric abstraction with symbolic forms inspired by pre-Columbian art, European modernism, and his vision of universal harmony. He studied and worked in Spain, Italy, France, and New York before returning to Uruguay, where he founded the Taller Torres-García, an influential art workshop where many artists came to study. His work, blending structure and spirituality, left a lasting impact on Latin American art and global modernism.

Joaquín Torres-García

Uruguayan-Spanish

(1874–1949)

Joaquín Torres-García was a Uruguayan artist, theorist, and teacher, widely regarded as the father of modern art in South America. Known for his concept of Constructive Universalism, Torres-García combined geometric abstraction with symbolic forms inspired by pre-Columbian art, European modernism, and his vision of universal harmony. He studied and worked in Spain, Italy, France, and New York before returning to Uruguay, where he founded the Taller Torres-García, an influential art workshop where many artists came to study. His work, blending structure and spirituality, left a lasting impact on Latin American art and global modernism.

Construcción (boceto para el mural de Saint Bois)

1944

Oil on cardboard

55.2 × 83.8 cm; 21 3/4 × 33 in

Construcción (boceto para el mural de Saint Bois) is a study for a mural commissioned for Montevideo’s Saint Bois Hospital, a hospital serving tuberculosis patients. The murals were intended to resonate with universal values but faced criticism for their bold colors, deemed unsettling by critics. Despite this, the murals remained significant, bridging modernist impulses with ancient visual traditions. While the original murals were destroyed in a 1978 fire, this work survives as a vital synthesis of Torres-García’s artistic vision, showcasing his commitment to timeless, universally resonant imagery toward the end of his career.

Transatlántico (Dibujo para Niños)

1920

Watercolor on paper

22.2 × 29.8 cm; 8 3/4 × 11 3/4 in

Known for a wide range of work including painting, sculpture, drawing, and notably his “Jugetes,” this drawing is a somewhat sentimental outliers in his overall modernist oeuvre. It is a drawing for children, and a study for one of the boat toys that he is known for. As a frequent traveler between continents (as was the case for so many emigre families during this period), this work is also indicative and symbolic of the incredible times he was living through.

© 2025 Kanbas. Any images or other visual representations of artworks are © their respective Artist or Estate, unless otherwise noted. All rights reserved.

© 2025 Kanbas. Any images or other visual representations of artworks are © their respective Artist or Estate, unless otherwise noted. All rights reserved.

© 2025 Kanbas. Any images or other visual representations of artworks are © their respective Artist or Estate, unless otherwise noted. All rights reserved.