Sin título
1955
Black and white wooden elements on wood panel
51.8 × 60.3 × 6.3 cm; 20 3/8 × 23 3/4 × 2 1/2 in
This untitled abstraction continues Soldevilla’s investigation into the use of the circle and rectangle as compositional elements. Taking Greek and Roman reliefs as its point of departure, her wooden tableaux exemplifies the ideals of Concretism and geometric abstraction. She employs a simplified palette of black and white and divides her composition into two sections via a vertical row of white wooden circles. The work plays with the juxtaposition between positive and negative space, light and dark, and two and three dimensions.
