Mercedes Pardo was a pioneering figure in Venezuelan abstract art, known for her innovative use of color and diverse artistic practice. Born in Caracas, she played a central role in the country’s mid-20th-century cultural renewal, alongside her husband, renowned artist Alejandro Otero.

Pardo’s work emerged during a pivotal time in Venezuelan art history when abstraction was gaining recognition. In the 1950s, she became part of a generation of artists educated abroad — particularly in France — who brought new ideas and modernist approaches to Venezuela. Her artistic practice was deeply influenced by the country’s evolving cultural landscape, particularly through the Universidad Central de Venezuela (UCV)’s ambitious project to integrate art and architecture, led by Carlos Raúl Villanueva.

Best known for her vibrant abstract paintings, Pardo focused on the formal exploration of color and its effects on perception. Her works often evoke a sense of balance and harmony, using geometric forms and color fields to create dynamic compositions. In addition to painting, she explored a wide range of media, including stained glass, graphic arts, and theatrical set design, showcasing her versatility and desire to experiment with different artistic forms.

Pardo’s contributions extended beyond her artwork. She was actively involved in Caracas’ creative workshops and artistic circles, influencing a new generation of artists and promoting modernist ideals in Venezuela. Her work has been widely exhibited, both nationally and internationally, and continues to be celebrated for its profound impact on Latin American abstraction.