Monica Rizzolli
Brazilian
Born 1981
Lives and works in Portugal
Monica Rizzolli is a digital artist and self-taught coder who adopts an ecological approach to art, viewing humans, art, and code as part of nature. Using botanical motifs, she creates unique works from a single code, drawn to generative art for its conceptual potential. Originally a painter, she studied creative programming at Kunsthochschule Kassel, Germany, and presented her first generative piece in 2015 at the MAK Center.
Fragments of an Infinite Field
Art Blocks Collection: Curated
Heritage Art Blocks Collection: Curated series 4
Fragments of an Infinite Field is a compositional system that generates idealized plant species within an infinite field, influenced by seasonal parameters that dictate colors and phenomena like rain and snow. Each flower features both macro variables affecting the species and micro variables for individual variations, creating unique mutations. The interplay between plants and their backgrounds creates a visual confusion, with colors often blending. The project also explores how to create parameters that mimic the growth of living organisms.

Fragments of an Infinite Field #881
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Underwater
Underwater is a collection of 100 generative illustrations. The project portrays seven hypothetical species. Left to grow in the underground aquifer of Mexico City, these species are conceived as fictive descendants of ancient Mexican plants.
The abstract aesthetic of the drawings is inspired by the pre-naturalist illustrations of medieval herbaria, especially the Libellus de Medicinalibus Indorum Herbis. To recreate the beauty of these early scientific illustrations through code, the superformula was combined with space colonization algorithms to generate tepal-like forms with characteristic patterns.
The flowers that inspired this collection of generative plants are: Dahlia coccinea, Chirahodendron pentadactylon, Magnolia dealbata, Tigridia pavonia, Helianthus armus and Sprekelia formosissima.

Underwater #50
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Underwater #25
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Monica Rizzolli
Brazilian
Born 1981
Lives and works in Portugal
Monica Rizzolli is a digital artist and self-taught coder who adopts an ecological approach to art, viewing humans, art, and code as part of nature. Using botanical motifs, she creates unique works from a single code, drawn to generative art for its conceptual potential. Originally a painter, she studied creative programming at Kunsthochschule Kassel, Germany, and presented her first generative piece in 2015 at the MAK Center.
Monica Rizzolli
Brazilian
Born 1981
Lives and works in Portugal
Monica Rizzolli is a digital artist and self-taught coder who adopts an ecological approach to art, viewing humans, art, and code as part of nature. Using botanical motifs, she creates unique works from a single code, drawn to generative art for its conceptual potential. Originally a painter, she studied creative programming at Kunsthochschule Kassel, Germany, and presented her first generative piece in 2015 at the MAK Center.
Fragments of an Infinite Field
Art Blocks Collection: Curated
Heritage Art Blocks Collection: Curated series 4
Fragments of an Infinite Field is a compositional system that generates idealized plant species within an infinite field, influenced by seasonal parameters that dictate colors and phenomena like rain and snow. Each flower features both macro variables affecting the species and micro variables for individual variations, creating unique mutations. The interplay between plants and their backgrounds creates a visual confusion, with colors often blending. The project also explores how to create parameters that mimic the growth of living organisms.


Fragments of an Infinite Field #881
View Contract Details
Fragments of an Infinite Field #881
View Contract Details
Underwater
Underwater is a collection of 100 generative illustrations. The project portrays seven hypothetical species. Left to grow in the underground aquifer of Mexico City, these species are conceived as fictive descendants of ancient Mexican plants.
The abstract aesthetic of the drawings is inspired by the pre-naturalist illustrations of medieval herbaria, especially the Libellus de Medicinalibus Indorum Herbis. To recreate the beauty of these early scientific illustrations through code, the superformula was combined with space colonization algorithms to generate tepal-like forms with characteristic patterns.
The flowers that inspired this collection of generative plants are: Dahlia coccinea, Chirahodendron pentadactylon, Magnolia dealbata, Tigridia pavonia, Helianthus armus and Sprekelia formosissima.


Underwater #50
View Contract Details
Underwater #50
View Contract Details


Underwater #25
View Contract Details
Underwater #25
View Contract Details
Monica Rizzolli
Brazilian
Born 1981
Lives and works in Portugal
Monica Rizzolli is a digital artist and self-taught coder who adopts an ecological approach to art, viewing humans, art, and code as part of nature. Using botanical motifs, she creates unique works from a single code, drawn to generative art for its conceptual potential. Originally a painter, she studied creative programming at Kunsthochschule Kassel, Germany, and presented her first generative piece in 2015 at the MAK Center.
Monica Rizzolli
Brazilian
Born 1981
Lives and works in Portugal
Monica Rizzolli is a digital artist and self-taught coder who adopts an ecological approach to art, viewing humans, art, and code as part of nature. Using botanical motifs, she creates unique works from a single code, drawn to generative art for its conceptual potential. Originally a painter, she studied creative programming at Kunsthochschule Kassel, Germany, and presented her first generative piece in 2015 at the MAK Center.
Fragments of an Infinite Field
Art Blocks Collection: Curated
Heritage Art Blocks Collection: Curated series 4
Fragments of an Infinite Field is a compositional system that generates idealized plant species within an infinite field, influenced by seasonal parameters that dictate colors and phenomena like rain and snow. Each flower features both macro variables affecting the species and micro variables for individual variations, creating unique mutations. The interplay between plants and their backgrounds creates a visual confusion, with colors often blending. The project also explores how to create parameters that mimic the growth of living organisms.


Fragments of an Infinite Field #881
View Contract Details
Fragments of an Infinite Field #881
View Contract Details
Underwater
Underwater is a collection of 100 generative illustrations. The project portrays seven hypothetical species. Left to grow in the underground aquifer of Mexico City, these species are conceived as fictive descendants of ancient Mexican plants.
The abstract aesthetic of the drawings is inspired by the pre-naturalist illustrations of medieval herbaria, especially the Libellus de Medicinalibus Indorum Herbis. To recreate the beauty of these early scientific illustrations through code, the superformula was combined with space colonization algorithms to generate tepal-like forms with characteristic patterns.
The flowers that inspired this collection of generative plants are: Dahlia coccinea, Chirahodendron pentadactylon, Magnolia dealbata, Tigridia pavonia, Helianthus armus and Sprekelia formosissima.


Underwater #50
View Contract Details
Underwater #50
View Contract Details


Underwater #25
View Contract Details
Underwater #25
View Contract Details
© 2025 Kanbas. Any images or other visual representations of artworks are © their respective Artist or Estate, unless otherwise noted. All rights reserved.
© 2025 Kanbas. Any images or other visual representations of artworks are © their respective Artist or Estate, unless otherwise noted. All rights reserved.
© 2025 Kanbas. Any images or other visual representations of artworks are © their respective Artist or Estate, unless otherwise noted. All rights reserved.