This series is an expression of the inherently digital essence of our era. Through finding and amplifying the errors and imperfections inside GAN models, THX-1 transforms technical failures into redeeming aesthetic opportunities.

The works in this series were created using a glitching algorithm that processes images generated with SG2 and SG3 models trained on personal datasets, resulting in unique and unpredictable artworks that reflect the beauty and fragility of our digital world. With its vivid use of digitally intrinsic hues and playful approach to glitches and dithering, the dynamic non-representational compositions evoke a sense of nostalgia for the stylistic and technological hallmarks of Noya’s upbringing in the 90s.

The Desde Lejos series of generative digital paintings explore the realms of memory and perception. Drawing inspiration from painters Armando Reverón and Clyfford Still, Desde Lejos represents Noya’s yearning to reconnect with and honor his formative years spent in Montalbán, a small rural town in Carabobo, Venezuela. These fragmented landscapes are Noya’s interpretation of the prompt “on chain / off line” for the Bright Moments Buenos Aires collection.